L.A. Book Launch: Todos Somos Sagrados by Rey M. Rodriguez

Rey M. Rodriguez, Lorna Dee Cervantes, Jose Hernandez Diaz, and William Archila in The Wanda Coleman Theater

Join us for the L.A. Book Launch of Rey M. Rodríguez’s poetry collection, Todos Somos Sagrados (El Martillo Press, 2026). A meditation on the daily community work of neighborhood projects like Proyecto Pastoral in East Los Angeles aiding the unhoused, immigrant, and violence-plagued communities, this body of work collects the many voices that share their pain, joy, and experiences navigating the many battles in life.

The author will be joined by Lorna Dee Cervantes, William Archila, and Jose Hernandez Diaz in The Wanda Coleman Theater.

“A treatise in poetry about one of the most important stories of our time—the formation and work of Proyecto Pastoral in Boyle Heights, Los Angeles. Violence, drugs, and death plagued these streets, which in the 1990s and into the 2000s were the most gang-inflicted in the country. But mothers stood up for healing, peace, for saving the children. Projects arose to help youth but also the unhoused and migrants. People in need. God’s work. Powerful figures like Father Greg Boyle met the call. Here, Rey M. Rodríguez uses poems to carry their voices, stories, pains, and joys. In Spanish and English, in any language, it’s a work of art, a work of action.”

—Luis J. Rodríguez, former Los Angeles Poet Laureate, author of Always Running, La Vida Loca, Gang Days in L.A.” and It Calls You Back: An Odyssey through Love, Addiction, Revolutions, and Healing

Doors Open: 6:30 PM Readings: 7:00 PM

Rey M. Rodríguez is a writer, advocate, and attorney. He lives in Pasadena, California. He is working on a novel set in Mexico City. His poetry collection, Todos Somos Sagrados/All Are Sacred (El Martillo Press), released May 2026. He has attended the Yale Writers’ Workshop and Palabras de Pueblo workshop. He participated in Story Studio’s Novel in a Year Program. He graduated with an MFA in fiction from the Institute of American Indian Arts. His poetry is published in Huizache, Anger is a Gift, and Altadena Poetry Review. His many interviews and book reviews can be found at La Bloga, Chapter House’s Storyteller’s Corner, Full Stop, Pleiades Magazine, and the Los Angeles Review. He is a graduate of Cornell, Princeton, and U.C. Berkeley Law School

Lorna Dee Cervantes is the author of Emplumada, From the Cables of Genocide, Ciento, DRIVE, and April on Olympia. Awarded NEA Fellowships, Pushcart Prizes, a Lila Wallace, state arts grants and best book awards, the founder of Mango Publications (first to publish Sandra Cisneros), Cervantes presented at the Library of Congress, Dodge Poetry Festival, Walker Art Center, Nuyorican Poets Cafe, and others. Former Prof. of English and Director of Creative Writing at CU Boulder for 20 years, she writes in Seattle.

William Archila is the winner of the 2023 Philip Levine Prize for Poetry for his collection S is For, a finalist for the California Book Award. He is the author of The Art of Exile and The Gravedigger’s Archeology. His new collection, Canícula/Dog Days, is a bilingual selection of his first two books of poetry. He was awarded the 2023 Jack Hazard fellowship. His work has appeared in AGNl, APR, Copper Nickle, The Georgia Review, Kenyon Review, New Ohio Review, Prairie Schooner, Poetry, Ploughshares, Poetry Northwest, Pleiades, TriQuarterly and the anthology Latino Poetry: The Library of American Anthology. He is an associate editor at Tía Chucha Press.

Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of The Fire Eater (Texas Review Press, 2020) Bad Mexican, Bad American (Acre Books, 2024) The Parachutist (Sundress Publications, 2025) Portrait of the Artist as a Brown Man (Red Hen Press, 2025) and the forthcoming, The Lighthouse Tattoo (Acre Books, 2026). He has been a Visiting Assistant Professor at the University of California at Riverside, and Visiting Writer in Residence at the University of Tennessee.

About Beyond Baroque

Beyond Baroque is one of the United States’ leading independent Literary | Arts Centers and public spaces dedicated to expanding the public’s knowledge of poetry, literature and art through cultural events and community interaction. Founded in 1968 as an experimental literary magazine, Beyond Baroque is based out of the original City Hall building in Venice, California. The Center offers a diverse variety of literary and arts programming including readings and workshops. The building also houses a bookstore with a large collection of new poetry books for sale.

Livestream: If you can’t join us in person the event will be livestreamed on Beyond Baroque’s YouTube channel at the scheduled time of the event. If you are tuning in this way, no ticket purchase is necessary.

If you are attending in person, ticket purchase is required. Tickets will be available at the Beyond Baroque bookstore on the day of the event, but we recommend registering in advance through Eventbrite. Masks are encouraged while inside our center. Please arrive early.

Event attendees are expected to behave in a respectful and considerate manner while in our space. Beyond Baroque reserves the right to remove individuals from our events, virtual or otherwise, if they are not respecting the space, staff, fellow attendees, or performers.

Poetry Book Launch: Made from Midnight: Delirium

Contributors from the new poetry anthology Made from Midnight: Delirium read and discuss their work.

Join us from the launch of Made from Midnight: Delirium, a new anthology from Poets in the Pines!

Anthology editor and Poets in the Pines co-founder Anne Ramallo and local contributors Daniel Gonzales, Andy Huy Le and Christina Connorton unite for a book launch celebration featuring author readings and a panel discussion exploring how these writers translate dreams into compelling words, images, and insight about who we are–perfect for writers, dreamers, and anyone curious about the transformative power of midnight.

About the book:

Enter a dreamhouse where form and structure fragment, threads unravel, and reality blurs at watercolor edges. Sixty-eight writers from around the world explore the winding corridors of delirium, where the mind unlocks old memories and opens doors to strange and terrifying worlds. These poems and short stories inspired by dreams pose questions about language, identity, memory, and the different ways we carry home.

About the participants:

Anne Ramallo, co-founder of Poets in the Pines, is a writer, editor, performer, and mom working from LA. Her poetry and short fiction have been featured in journals and anthologies including Sky Island, Cosmic Daffodil, and Uncharted. Her chapbook, The Ocean In A Cup, is forthcoming.

Daniel Gonzalez earned his MFA in Creative Writing from CSULB, where he served as senior editor of Fiction for RipRap Journal. He has written an award-wining short film and published short fiction & poetry. He enjoys eating with friends and writing about those small human moments which we all share.

Andy Huy Le is just some guy who teaches. He was the poetry slam captain for UCSB’s first CUPSI team in 2019. His published poems can be found in The Catalyst, Word Magazine, WILDsound Writing Festival, MoonLit Getaway, The Love Yourself Foundation (LYF), eMerge Magazine, Blood+Honey, and Poets in the Pines.

Christina Connerton is a disabled writer and filmmaker with published works in Eunoia Review and Frontier Poetry. In her Substack, The Wayside Times, she unpacks and critiques her internalized ableism. She is currently working on her first chapbook, The Last Will & Testament of [Redacted].

Unquiet: A Night of Creative Resistance (Poetry Show/ Open Mic)

A night of poetry and art that confronts, resists silence, and reimagines the world.

Unquiet: A Night of Creative Resistance

Thursday August 6th

Doors – 7:30pm // Show – 8:00 PM

$8 For Non-Performers /// $5 To Perform For Open Mic Slot

UNQUIET: A Night of Creative Resistance is a gathering for poets, artists, and anyone drawn to the kind of work that pushes against the world as it is. This evening brings together voices and visions that challenge, disrupt, reimagine, and insist on something more – through poetry, visual art, and open mic expression.

This is a space for language that shakes loose what’s stuck, imagery that cuts through the noise, and creative work that won’t sit down. If you’ve felt the urge to speak, make, resist, or remake – this night is meant for you.

The Night:

-4–5 featured poets

-Open mic slots available at the end

-Unlimited visual art displays — bring pieces that provoke, hold space, disrupt, or soothe * A room full of people who believe art is one of our greatest powers Contributors are invited to explore any of the following themes – or bring something entirely their own:

Voice, silence, and what breaks through

– Imagination as rebellion

– Disobedience

– Community, care, and survival

– Rage and reclamation – Surveillance

– Liberation – Art as weapon / art as refuge

– Memory, history, and rewriting the narrative

– Loss and legacy

– Identity and intersectional study.

These themes should be seen as prompts, not limits. If your work pushes, questions, agitates, or dreams, it belongs here.

Why “Unquiet”? Because staying quiet has never protected us. Because creativity has always found cracks in the system. Because imagination is a political act. And because poetry and art become powerful when they refuse to shrink.

A Juneteenth Poetry Reading: Poetry in AfroDiaspora & Chamorrita Song

A Reading celebrating Audrey Shipp’s debut poetry collection and Danielle P. William’s Chamorrita Song

Join us on Juneteenth for a double book launch celebrating Audrey Shipp’s new collection Poetry /Poes´ía/ Poésie in AfroDiaspora and Danielle P. Williams’s Chamorrita Song.

In this stunning collection, writer Audrey Shipp resucitates the poems of her poetic voice, Adriana––a young poet who resists the alienation of her bith city, Los Angeles. Using multilingual diction, from Caló to French and English, for an acercamiento towards an African/Black diaspora she perceived as distant the time, she offers “poetry/poesía/poésie” that “cascades from las caderas / pushing from the thighs / como recién nacido.”

For poet and spoken-word artist Danielle P. Williams, Kantan Chamorrita is more than just the ancient craft of Chamorro folk song. It is also a return and a homecoming. This impromptu style of communal call-and response performance art forms the spokes for Williams’s debut collection. Rooted in oral tradition, Chamorrita Song pays homage to Black and Chamorro cultures, honoring the artistic expressions that these communities have created to reconcile lifetimes of imposed trauma. Williams intertwines spoken word poetry and gospel music with Chamorro storytelling, weaving together the nuanced histories of queer, Black, and Indigenous existence and literature.

The poets will be joined in The Wanda Coleman Theater by guest co-features Maestro Gamin, Nicole J. Evans, and Naomi Nightingale.

Reception and book signings to follow in the Scott Wannberg Bookstore & Lounge.

Doors Open: 7:00 PM I Readings: 7:30 PM

Audrey Shipp is an AWP Writer to Writer mentee and a PEN America Emerging Voices Workshop LA honoree whose hybrid memoir When I Was a Bilingual Writer Birthed by Black L.A. will be published by Unsolicited Press in 2027. Her writing has been published in various literary journals including Good River Review, Panorama Magazine, Isele Magazine, A Long House, Another Chicago Magazine, Litro, and A Gathering Together. Her bilingual and trilingual poetry appeared in Americas Review (Arte-Público Press) which was formerly published by the University of Houston. She holds English degrees from both UCLA and Cal State L.A. and a Certificate in Creative Writing from UCLA Extension. Her professional life has been dedicated to teaching English and ESL in public high schools in Los Angeles. Founder and Editor at Decolonial Passage Literary Magazine, you can find her at

Nicole J. Evans (she/her) is a Black woman, born and reared in Los Angeles who writes poetry, fiction, and creative non-fiction. 2024 James Kirkwood Prize nominee, with poetry being published in an upcoming FlowerSong Press anthology and a Blacklandia/Inlandia Books anthology. Pre-Matriarch, future Ancestor, Black sheep, vision alchemist, generational curse breaker, generational blessing manifestor, dream catcher, tale weaver, aspiring griot, empath, latent gardener, inherent inherited beautician, poet by heart, writer by revelation, and singer of her own songs. IG @itsnicolejeanine.

Naomi Nightingale has been writing poetry since the age of seven. Until 2023, her poems, stories, reflections, and Spirit Talks remained in notebooks, journals, and informal pages rather than in a published collection. In 2024, she published It Is I Emerging: Poetry, Prose & Short Stories, a collection reflecting on living, learning, and becoming. She is currently working on a second book of poetry and short stories. Dr. Nightingale grew up in and resides in Venice, California. She is President and Founder of Oakwood Preservation Coalition, Inc., a nonprofit organization dedicated to preserving the Black history and culture of Oakwood-Venice.

Danielle P. Williams is a Black and Chamorro poet, essayist, translator, and spoken-word artist from Columbia, South Carolina whose work traces identity, heritage, and belonging across cultures and generations. She holds an MFA from George Mason University and fellowships from Open Mouth Poetry Retreat, Palm Beach Poetry Festival, The Watering Hole, and The Alan Cheuse Center for International Writers. Her chapbook Who All Gon’ Be There? was a finalist for the Button Poetry Chapbook Competition and was published by Backbone Press in 2021, and her debut collection Chamorrita Song was published by University of Arizona Press in January 2026.

About Beyond Baroque

Beyond Baroque is one of the United States’ leading independent Literary | Arts Centers and public spaces dedicated to expanding the public’s knowledge of poetry, literature and art through cultural events and community interaction. Founded in 1968 as an experimental literary magazine, Beyond Baroque is based out of the original City Hall building in Venice, California. The Center offers a diverse variety of literary and arts programming including readings and workshops. The building also houses a bookstore with a large collection of new poetry books for sale.

Livestream: If you can’t join us in person the event will be livestreamed on Beyond Baroque’s YouTube channel at the scheduled time of the event. If you are tuning in this way, no ticket purchase is necessary.

If you are attending in person, ticket purchase is required. Tickets will be available at the Beyond Baroque bookstore on the day of the event, but we recommend registering in advance through Eventbrite. Masks are encouraged while inside our center. Please arrive early.

Event attendees are expected to behave in a respectful and considerate manner while in our space. Beyond Baroque reserves the right to remove individuals from our events, virtual or otherwise, if they are not respecting the space, staff, fellow attendees, or performers.

BOOK LAUNCH: Daughter of the Mountains w/ Fatimah Asghar

Join Rep Club for a discussion on ‘Daughter of the Mountains ‘ by author Fatimah Asghar

WHO & WHAT: Join Rep Club for a discussion on ‘Daughter of the Mountains’ by author and poet Fatimah Ashgar. Moderator TBC

WHEN: Doors at 6:30pm, event promptly at 7pm.

WHERE: Reparations Club, 3054 S. Victoria Ave. Los Angeles, CA 90016

HOW:

TICKET w/ BOOK: This ticket guarantees a seat including a signed book available for pick up at the event.

FREE RSVP (No Book Included): This Free RSVP DOES NOT include a copy of the book and entry is based strictly on capacity at the door. Books may be available for purchase in-store.

SIGNED BOOK ONLY: Can’t make it IRL but still want a signed copy? Order directly from our site!

Please email us at questions@reparations.club if you have any additional needs, questions, or accessibility concerns.

About the Book:

A TENDER, SEARCHING COLLECTION THAT BREAKS OPEN NOTIONS OF FAITH TO ASK HOW A DAUGHTER, ALIENATED FROM KIN, CAN FIND LOVE AND A HOME IN THE WORLD, FROM THE AWARD-WINNING AUTHOR OF IF THEY COME FOR US AND WHEN WE WERE SISTERS

at the edge of an edge

is an edge. at that edge

is a cliff. beyond that cliff

is me.

Exiled from ancestral homelands, how can one find a place for themself in the world? In this stunning sophomore collection, the acclaimed poet Fatimah Asghar unweaves residual grief to reckon with their relationship to Allah, long-estranged but deeply loved kin, the landscape of their ancestors, and love itself.

In meditative poems, Daughter of the Mountains grapples with multiple facets of fulfillment, betrayal, love, loss, and longing, illustrating how place, lineage, and environment inform the practice of spirituality and vice versa. With wisps of humor, imagery that is as beautiful as it is startling, and powerfully disruptive formal invention, this is an intimately lyrical and explosive collection.

FATIMAH ASGHAR, author of If They Come for Us, is a poet, filmmaker, educator, and performer. They are the writer and co-creator of Brown Girls, an Emmy-nominated web series that highlights friendships between women of color. They also were a co-producer on Ms. Marvel for Disney + and wrote the episode “Time And Again.” Along with Safia Elhillo, they are the editor of Halal If You Hear Me, an anthology that celebrates Muslim writers who are also women, queer, gender-nonconforming, and/or trans

Refund Policy: At Rep Club, we are committed to providing a valuable experience for all attendees. However, we understand sometimes plans change. Below is our refund policy for ticket purchases:

Refund Eligibility: Requests for refunds must be made no later than 14 calendar days prior to the event date via Eventbrite only.

– After this deadline, no refunds will be issued, except under extraordinary circumstances (see “Force Majeure” below).

– Refunds will only be issued to the original purchaser via the original method of payment (i.e. Eventbrite).

Non-Refundable Items: Processing fees and service charges are non-refundable, unless the event is canceled by the organizer (i.e. Rep Club).

Event Cancellation or Rescheduling

– If the event is canceled by the organizer, a full refund will be issued to all ticket holders, including any fees paid.

– If the event is rescheduled, your ticket will automatically be valid for the new date. If you are unable to attend the rescheduled date, a refund request can be made within 7 calendar days of the rescheduling notice.

No-Show Policy If you do not attend the event and have not contacted us by the refund deadline, unfortunately no refund will be issued.

Contact Us If you have any questions regarding this refund policy, please contact us at questions@reparations.club.