Alice Quinn, Carol Muske Dukes, Tommy Orange, Rex Wilder, & Ron Koertge present Together in a “Sudden Strangeness: America’s Poets Respond to the Pandemic”

As the novel coronavirus and its devastating effects began to spread in the United States and around the world, Alice Quinn reached out to poets across the country to see if, and what, they were writing under quarantine. Moved and galvanized by the response, the onetime New Yorker poetry editor and recent former director of the Poetry Society of America began collecting the poems arriving in her inbox, assembling this various, intimate, and intricate portrait of our suddenly altered reality.

The Poetry Stage Redux Part II

December 3 @ 6:00 pm 7:00 pm

Beyond Baroque presents Part II of The Poetry Stage Redux, a series of readings by poets from the LA Times Festival of Books Poetry Stage.

Beyond Baroque presents the second installment of The Poetry Stage Redux, a series of readings by nationally acclaimed poets from the Los Angeles Times Festival of Books Poetry Stage. Featured readers for December 3 include Francisco Aragón, Sarah Arvio, Shonda Buchanan, Maxine Chernoff, Tiana Clark, Timothy Donnelly, Karen Kevorkian, Judith Pacht, Arthur Sze, Imani Tolliver, & Mariano Zaro.

The full series takes place over four weeks in November and December and will feature over 40 poets. Every year, the Poetry Stage at the Festival of Books forms a major part of Los Angeles’ literary calendar. Poets with new or recent books gather from across the country to read from their work. This year, due to COVID-19, the Festival of Books, and the Poetry Stage, had to be canceled.

In the spirit of keeping new poetry visible during COVID-19, Beyond Baroque and the L.A. Times Festival of Books Poetry Stage curator and moderator, Elena Karina Byrne, present a majority of the festival’s originally scheduled lineup along with a selection of additional writers celebrating their new books. Click here to see the lineup for the full series, and to reserve tickets for additional installments.

This event will be streamed live via Crowd Cast. Participants will receive a link to the program after registering. All events will be free.

Note: though the Los Angeles Times Festival of Books is supportive of the Poetry Stage Redux, this presentation is not produced or funded by the Festival.


December 3, 2020
6:00 pm – 7:00 pm
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Year by Year Poems: a Reading by Lynne Sachs

December 2 @ 6:30 pm 8:00 pm

Acclaimed filmmaker and poet Lynne Sachs reads from her debut collection, Year by Year Poems, and shares some of her recent short films.

When filmmaker Lynne Sachs turned fifty, she dedicated herself to writing a poem for every year of her life, so far. Each of the fifty poems investigates the relationship between a singular event in Sachs’ life and the swirl of events beyond her domestic universe. Published by Tender Buttons Press, Year by Year Poems juxtaposes Sachs’ finished poems, which move from her birth in 1961 to her half-century marker in 2011, with her original handwritten first drafts. In this way, she reveals her process of navigating within and alongside historical events such as the Moon Landing, the assassination of Martin Luther King, Jr., streaking, the Anita Hill hearings, the Columbine shootings, and controversies around universal health care. In Year by Year Poems, Lynne Sachs realizes the long anticipated leap from her extraordinary career in filmmaking to this, her first book of poems. With an introduction by Paolo Javier, former Queens Poet Laureate and author of Court of the Dragon, and book design by Abby Goldstein.

Praise for Year by Year Poems:

“The whole arc of a life is sketched movingly in this singular collection. These poems have both delicacy and grit. With the sensitive eye for details that she has long brought to her films, Lynne Sachs shares, this time on the page, her uncanny observations of moments on the fly, filled with longings, misses, joys and mysterious glimpses of a pattern of meaning underneath it all.”

–– Phillip Lopate, author of Portrait of My Body and Against Joie de Vivre

“The highly acclaimed filmmaker Lynne Sachs is also a captivating and surprising poet. Year by Year distills five decades into lyric, a lustrous tapestry woven of memory, wisdom, cultural apprehension and the delicate specificities of lived life.”

–– Claire Messud, author of The Woman Upstairs and When the World Was Steady

“In Year by Year, Lynne Sachs selects and distills from larger fields of notation, acute scenes representing her life and the world she was born into. Her measured, spare account brings her to an understanding and acceptance of the terrible and beautiful fact that history both moves us and moves through us, and, more significantly, how by contending with its uncompromising force, we define an ethics that guides our fate.” – Michael Collier author of Dark Wild Realm

“Renowned experimental documentary filmmaker Lynne Sachs wrote one of 2019’s best books of poetry. In 2011, after deciding to write one poem for each of the fifty years of her life, Sachs asked herself, “How have the private, most intimate moments of my life been affected by the public world beyond?” The graceful, diaristic poems that she went on to produce successfully distill events and themes in the poet’s life and simultaneously, magically, reflect larger movements of history and culture. Intimate and imagistic, the poems unfold a series of miniature stories with sensuous rhythms, telling visual detail, and gentle humor. Thus, in “1969” a young Sachs imagines Neil Armstrong calling on the telephone, then turning “to look at all of us (from the moon).” This beautifully designed book includes facsimiles of many of the poetry’s initial drafts, which subtly illumine this artist’s creative process.” – John Smalley, 2019 Staff Pick, San Francisco Public Library, Poetry Librarian

“As an artist, Sachs keeps playing, again and again, with each of the thirty-three films she has made over the decades and now, with her first book of poems, which are just as inventive and fresh, just as delightfully playful with form. These poems are innovative but never intimidating or deliberately opaque. Instead, they invite us in, encouraging us to play along. They give us a structure to enter into our own retrospective lives, our own distillations of time, our own superimpositions of the newsworthy world onto our most intimate moments.” – Sharon Harrigan, Cleaver: Philadelphia’s International Literary Magazine (excerpt)

“Powerful collection! We’re loving Year by Year, a rich poetry collection and visual journey of ideas by filmmaker Lynne Sachs. The book includes original handwritten first drafts with each finished piece. Unique process immersion. Fascinating to view the first drafts with the complete pieces, exploring them together like a map, what is gained (& lost) as we move through time and ideas. Elegant and elegiac.” – Margot Douaihy, Northern New England Review (posted in Twitter)

“The poems of Year by Year led Sachs to create a feature-length hybrid documentary called ‘Tip of My Tongue”, an indication of how richly resonant these poems are, with their skillful intermingling of private and public.” – John Bradley, Rain Taxi (championing aesthetically adventurous literature)

About the Author:

Lynne Sachs makes films and writes poems that explore the intricate relationship between personal observations and broader historical experiences. Her work embraces hybrid form and combines memoir with experimental, documentary, and fictional modes. In recent years, she has expanded her practice to include live performance with moving image. Lynne was first exposed to poetry by her great aunt as a child in Memphis, Tennessee. Soon she was frequenting workshops at the local library and getting a chance to learn from poets like Gwendolyn Brooks and Ethridge Knight. As an active member of Brown University’s undergraduate poetry community, she shared her early poems with fellow poet Stacy Doris. Lynne later discovered her love of filmmaking while living in San Francisco where she worked with artists Craig Baldwin, Bruce Conner, Barbara Hammer, Carolee Schneeman, and Trinh T. Minh-ha. Lynne has made thirty-five films which have screened at the New York Film Festival, the Sundance Film Festival, the Museum of Modern Art, the Whitney Museum of American Art, the Walker Art Center, and the Wexner Center for the Arts. Festivals in Buenos Aires, Beijing and Havana have presented retrospectives of her work. Lynne received a 2014 Guggenheim Fellowship. In early 2020, her newest movie, Film About a Father Who, will premiere on opening night at the Slamdance Film Festival and in NYC at the Museum of Modern Art. Lynne lives in Brooklyn. Year by Year Poems is her first book of poetry.


December 2, 2020
6:30 pm – 8:00 pm
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Pamela Sneed, with editor Amy Scholder, presents “Funeral Diva”

In this collection of personal essays and poetry, acclaimed poet and performer Pamela Sneed details her coming of age in New York City during the late 1980s. Funeral Diva captures the impact of AIDS on Black Queer life, and highlights the enduring bonds between the living, the dying, and the dead. Sneed’s poems not only converse with lovers past and present, but also with her literary forebears–like James Baldwin, Toni Morrison, Audre Lorde–whose aesthetic and thematic investments she renews for a contemporary American landscape.

RHP x Institute for Latino Studies: Francisco Aragón

Red Hen Press, the Institute for Latino Studies and the Creative Writing Program at the University of Notre Dame present a Notre Dame book launch. Special guests include: Misael Osorio-Conde, Brenda Cárdenas, Urayoán Noel, Maria Melendez Kelson,and Michael Nava.After Rubén unfolds as a decades-long journey in poems and prose, braiding the personal, the political & the historical, interspersing along the way English-language versions & riffs of a Spanish-language master: Rubén Darío. Whether it’s biting portraits of public figures, or nuanced sketches of his father, Francisco Aragón has assembled his most expansive collection to date, evoking his native San Francisco, but also imagining ancestral spaces in Nicaragua. Readers will encounter pieces that splice lines from literary forebearers, a moving elegy to a sibling, a surprising epistle from the grave. In short: a book that is both trajectory & mosaic, complicating the conversation surrounding poetry in the Americas—above all as it relates to Latinx and queer poetics.