Scott O’Connor, in conversation with Maria Hummel, discusses “Zero Zone”

Los Angeles, the late 1970s: Jess Shepard is an installation artist who creates environments that focus on light and space, often leading to intense sensory experiences for visitors to her work. A run of critically lauded projects peaks with Zero Zone, an installation at the once upon a time site of nuclear bomb testing in the New Mexico desert. But when a small group of travelers experience what they perceive as a religious awakening inside Zero Zone, they barricade themselves in the installation until authorities are forced to intervene.

Meredith Hall, in conversation with Lily Brooks-Dalton, discusses “Beneficence”

When they meet in the 1930s, Doris and Tup’s love is immediate. They marry quickly and Doris commits to the only life Tup ever wanted: working the Senter family farm, where his parents and grandparents and great-grandparents are buried under the old pines. Their lives follow the calming rhythms of the land–chores in the cow barn, haying the fields, tending their gardens–and in this they find immeasurable joy.