We’re back at Manderley again, with modern goth keystone Daphne du Maurier’s Rebecca.
In Alexis Henderson’s atmospheric debut The Year of the Witching, a young, mixed-race woman, with a family history of witchcraft and madness, may be the only hope for the town which shuns her.
We’re digging into the detailed examination of the life and circumstances of the original person of interest: Robert House’s Jack the Ripper and the Case for Scotland Yard’s Prime Suspect.
September 3, 2020 @ 7:00 pm
Lily Wong––a Chinese-Norwegian modern-day ninja–has more trouble than she was bargaining for when controlling grandparents arrive in Los Angeles from Hong Kong at the same time she goes undercover in the dangerous world of youth sex trafficking. As she hunts for a kidnapped prostitution victim, a missing high school girl, and a sociopathic trafficker, the surviving members of a murderous street gang hunt for her. Life would be easier if Lily knew who to trust. But when victims are villains, villains are victims, and even family is plotting against her, easy is not an option.
In Japan, a covert industry has grown up around the “wakaresaseya” (literally “breaker-upper”), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings. When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires and Kaitarō’s job is to do exactly that–until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter’s life.