Please visit the organizers' websites for details.

Live Poetry ft. Francesca Bell, Patrick Phillips, and Atsuro Riley

Venue: The Hotel Utah Saloon, 500 4th Street San Francisco, CA 94107 Join three incredible Bay Area poets at the famed Hotel Utah Saloon for an evening of live poetry!Atsuro Riley is the author of Heard-Hoard (University of Chicago Press, 2021), winner of the Alice Fay di Castagnola Award from the Poetry Society of America, a finalist for PEN America’s Voelcker Poetry Award, a Boston Globe Best Book of 2021, and a Bookworm Top 10 Book of the Year. His first book Romey’s Order was the winner of the Whiting Award, the Kate Tufts Discovery Award, The Believer Poetry Award, the Witter Bynner Award from the Library of Congress, and a Lannan Literary Award. Riley is the editor of Revel, a literary journal. He lives in San Francisco. Patrick Phillips is currently a fellow of the Cullman Center for Writers at the New York Public Library, as well as a Carnegie Foundation Fellow. His first book of nonfiction, Blood at the Root: A Racial Cleansing in America, was published by W. W. Norton and named a best book of the year by The New York Times, The Boston Globe, and Smithsonian. Elegy for a Broken Machine appeared in the Knopf Poets Read More ...

Free

L.A. Book Launch: The Certain Body by Julia Guez

Beyond Baroque Literary Arts Center 681 Venice Blvd, Venice Beach, Los Angeles

A celebration of The Certain Body (Four Way Books, 2022) by Julia GuezIn the long limbo of post-viral syndrome, Julia Guez aptly frames the recursive paralysis of pandemic rhetoric, whose seeming transitions always arrive at the same uncertainty: “and then what / and then / what, what / then.” The Certain Body captures life with illness—how the body moves through disease and rests in the liminal space of otherness. Following the speaker through a harrowing and disorienting SARS-Cov-2 infection, readers witness the poet’s gradual refortification as Guez traverses all facets of sickness: its mercies, its pleasures, its gratitudes, its reliefs, its gorgeousnesses. Probing, sharp poems centering an awareness of human ephemerality answer the words of Viktor Shklovsky: “And art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone stony.” In “If Indeed I Am Ill,” Guez writes, “These sonatas, these scores, tell me / what of them will last when everything falls away—” Through these lyric expressions, Guez shows us not just how art can heal but how healing is art, a modality of acceptance, the meaning in the process, a mosaic of imperfections that creates and embraces what Read More ...

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